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George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before emigrating to the United States in 1933. ==Life and career== George Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the son of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (Słupsk), where his mother became the keeper of the local Hussars Officers' mess after his father died in 1901.〔(henze-ketterer.ch )〕 At the urging of his cousin, the young Grosz began attending a weekly drawing class taught by a local painter named Grot.〔Grosz 1946, p. 22.〕 Grosz developed his skills further by drawing meticulous copies of the drinking scenes of Eduard von Grützner, and by drawing imaginary battle scenes.〔Grosz 1946, pp. 24, 26.〕 From 1909 to 1911, he studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, Raphael Wehle, and Osmar Schindler.〔 He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik.〔 In November 1914 Grosz volunteered for military service, in the hope that by thus preempting conscription he would avoid being sent to the front.〔 He was given a discharge after hospitalization for sinusitis in 1915.〔Kranzfelder 2005, p. 15.〕 In 1916 he changed the spelling of his name to George Grosz as a protest against German nationalism〔 and out of a romantic enthusiasm for America〔Sabarsky 1985, p.250.〕 that originated in his early reading of the books of James Fenimore Cooper, Bret Harte and Karl May, and which he retained for the rest of his life.〔Schmied 1978, p.29.〕 (His artist friend and collaborator Helmut Herzfeld changed his name to John Heartfield at the same time.) In January 1917 he was drafted for service, but in May he was discharged as permanently unfit.〔Sabarsky 1985, p. 26. According to Sabarsky, no records can be found to substantiate the version of events described by Grosz in his autobiography, i.e., that he was accused of desertion and narrowly avoided execution.〕 In the last months of 1918, Grosz joined the Spartacist League,〔Kranzfelder 2005, p. 28.〕 which was renamed the Communist Party of Germany (KPD) in December 1918. He was arrested during the Spartakus uprising in January 1919, but escaped using fake identification documents. In 1921 Grosz was accused of insulting the army, which resulted in a 300 German Mark fine and the destruction of the collection ''Gott mit uns'' ("God with us"), a satire on German society. In 1928 he was prosecuted for blasphemy after publishing anticlerical drawings, such as one depicting prisoners under assault from a minister who vomits grenades and weapons onto them, and another showing Christ coerced into military service. According to historian David Nash, Grosz "publicly stated that he was neither Christian nor pacifist, but was actively motivated by an inner need to create these pictures", and was finally acquitted after two appeals.〔Nash, David S. (2007). ( ''Blasphemy in the Christian World: A History'' ). Oxford: Oxford University Press. p. 112. ISBN 9780199570751.〕 By contrast, in 1942 ''Time'' magazine identified Grosz as a pacifist.〔()〕 In 1922 Grosz traveled to Russia with the writer Martin Andersen Nexø. Upon their arrival in Murmansk they were briefly arrested as spies; after their credentials were approved they were allowed to meet with Grigory Zinoviev, Anatoly Lunacharsky, and Vladimir Lenin.〔Kranzfelder 2005, pp. 54–55.〕 Grosz's six-month stay in the Soviet Union left him unimpressed by what he had seen.〔Sabarsky 1985, pp. 33, 251.〕 He ended his membership in the KPD in 1923, although his political positions were little changed.〔Kranzfelder 2005, p. 58.〕 Bitterly anti-Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York.〔Kranzfelder 2005, p. 93.〕 In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America.〔Kranzfelder 2005, p. 78.〕 Grosz became a naturalized citizen of the United States in 1938, and made his home in Bayside, New York. In the 1930s he taught at the Art Students League, where one of his students was Romare Bearden, who was influenced by his style of collage. He taught at the Art Students League intermittently until 1955. In America, Grosz determined to make a clean break with his past, and changed his style and subject matter.〔Grosz 1946, pp. 301–302.〕 He continued to exhibit regularly, and in 1946 he published his autobiography, ''A Little Yes and a Big No''. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Though he had US citizenship, he resolved to return to Berlin, where he died on July 6, 1959 from the effects of falling down a flight of stairs after a night of drinking.〔Kranzfelder 2005, p. 90-93.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「George Grosz」の詳細全文を読む スポンサード リンク
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